無政府主義者的夜間餘興 DAAU
比利時 Belgium

「無政府主義者的夜間娛興，魔幻的劇場，非人人可入場，只為瘋狂者所設，以瘋狂為入場代價。」（Hermann Hesse）

 「DAAU」（Die Anarchistische Abendunterhaltung，無政府主義者的夜間娛興）的創始成員，在1992年前後，比利時的安特衛普市，決定要以他們所受的古典音樂教育背景，玩一些不同於以往的音樂。無政府主義者的叛逆展現於他們並不遵守古典樂的章法、瘋狂的音樂遊戲繼續不斷。今日的DAAU可以出現在民謠、另類、前衛、噪音、搖滾各類音樂節慶中，他們在舞台上，狂放六人間和諧的瘋狂與不和諧的風格，就像一台同時往四個方向駛去的火車，即興、過度張力後的斷弦、飆汗與顫抖，都是樂團為人津津樂道的特色。聽起來似乎不合乎理性的實驗，卻震驚並啟發了歐洲無數樂評、觀眾與樂團。

In 1992, four young people with a background in classical music started making music together in a rather unconventional way. Brothers Buni Lenski (cello) and Simon Lenski (cello), joined their friends Han Stubbe (clarinet) and Roel van Camp (accordion) to produce a dynamic blend of music all their own. Their music combines the energy and spirit of punk with the virtuosity of classical musicians, and the dance-ability of folk-music with the variety of jazz. Add in digital technology, vocals, electronic rhythms and percussion and you have the unforgettable DAAU (Daaudie Anarchistische Abendunterhaltung).
The band garnered critical acclaim during successive tours of Europe, a stint in New York, and the Montreux Jazz Festival. Along the way, their fans have included Matt Johnson of the band “The The,” who invited the group to make an interpretation of his come-back single, and Bjork, whom the band supported on tour in Italy.