對談 Dialogues
■《線上對談》一位左翼紀錄片導演的每日戰鬥 —線上專訪迪克．方登﹝郭力昕﹞
Get Up and Fight Every Day!─An Online Interview with Dick Fontaine by Li-Hsin Kuo
■《特稿》我認識的迪克•方登﹝井迎瑞﹞■地點│Venue：中國文化大學推廣教育部９F 904教室 │9 F 904 Classroom, SCE, Chinese Culture University
〈自由入座 〉
一、音樂、音樂節與公共媒體│ The Correlation of Music Festivals and Public Media
對談│Speakers：瑪莎•豪俐、魏玓│Martha Hawley, Wei Ti
○ 時間│Date：2005/10/01 16:30-17:30
二、為什麼我們還相信紀錄片？│Why Do We Still Believe in Documentary？
對談│Speakers：迪克•方登、郭力昕│Dick Fontaine、Li-Hsin Kuo
○時間│Date：2005/10/01 13:30-15:00…電影就是說故事，而說故事最重要的，就是將個人轉化為政治的一種藝術。作品怎樣會被疏離？像你剛剛提到的「教條式」、「意識形態化」的作品，就是讓我們被人忽略的最佳做法。在我看來，正是右派相當聰明地暗示，左翼的想法是意識形態掛帥的，他們右派所提議的也不過是一種好的常識，而他們的故事也只就是表達了這個「真實世界」而已。就像[主流媒體]對紐奧良的陳述一樣，也是關於「真實世界」的故事。所以我們必須取回說好故事的本事，找出與大眾接上線的方法和信心，但不靠[僵硬的]修辭……(迪克•方登)
…Filmmaking is all about storytelling and storytelling is essentially the art of transforming the personal into the political. A method of distanced, what you describe as 'dogmatic, ideologising' work is the best way for us to be ignored. It is the Right, in my view, which has cleverly suggested that Left thinking is ideological and what they propose is just good common sense, their stories just expressions of 'the real world'. The story of New Orleans is also the 'real world'. We have to reclaim good storytelling and find ways of getting through to people with confidence and without rhetoric. …